Mac davis hooked on music youtube
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How did you place your songs on these projects? It turned out to be my first Top 10 record as a songwriter. After that, they asked me if I had any songs for his Memphis album. What inspired you to write a song about being in the ghetto?
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Davis : Where I grew up, my father was a small-time building contractor in Lubbock, and I used to go out on the job sites with him when I was 5 or 6 years old in the late s. There was an African-American fella who worked for him named Smitty, and he had a little boy called Smitty Jr. He was about my age, and he and I were playmates. And I could never understand why he had to live the way he did. But unfortunately, with the way things are today, the song is probably more poignant now than when I wrote it.
Mac Davis Interview
DK : In , you wrote four songs that became hits for Elvis Presley. Davis : Well you know, it was probably the most exciting time of my life. I was a late starter. In fact, I wrote in a song that I was 28 and gaining weight laughs. I was also out doing college concerts, and I did The Tonight Show about 10 times.
It was nice to be suddenly in demand laughs. It was a wonderful time. DK : Soon after, you signed a label deal with Columbia Records. Was that your plan, to have success as a songwriter, and then get a label deal as an artist? Davis : Well no, not really.
Of course, I always wanted to be a star—everybody did. All songwriters…we love to sing our own songs.
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No matter how good we are vocally or how bad we are, we still want to do our own songs. I never really thought about it that much, but one day at a pool party, I was singing songs around the swimming pool, and there was a guy named Sandy Gallin who happened to be listening.
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I then had lunch with him, and he offered me a management deal. The next thing you know, I had an album out and I was traveling all around the country, doing one-nighters and college concerts, county fairs and state fairs. I was opening for the Carpenters and for the Fifth Dimension, just sitting on a stool with my guitar, singing my songs for thousands and thousands of people. And it took a couple years [for my artist career to happen]. He was a very successful producer—he recorded Aretha Franklin, the Rolling Stones and other great artists.
You give all your hook songs to Elvis, Bobby Goldsboro and Kenny Rogers, and then you bring me these old love ballads. I need a hook! Then I went back downstairs and I stopped everything—I was winking to the musicians there. How did you write that song? They asked me if I would like to join them. I closed every show with it.