Fleetwood mac rumours sacd review

Featuring a soft rock and pop rock sound, [47] [48] Rumours is built around a mix of acoustic and electric instrumentation. The record often includes stressed drum sounds and distinctive percussion such as congas and maracas. It opens with "Second Hand News", originally an acoustic demo titled "Strummer". After hearing Bee Gees ' " Jive Talkin' ", Buckingham and co-producer Dashut built up the song with four audio tracks of electric guitar and the use of chair percussion to evoke Celtic rock. The third track on Rumours , "Never Going Back Again", began as "Brushes", a simple acoustic guitar tune played by Buckingham, with snare rolls by Fleetwood using brushes ; the band added vocals and further instrumental audio tracks to make it more layered.

In the latter instrument, nails are placed on the points where the hammers hit the strings, producing a more percussive sound.

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The album's pace slows down with "Songbird", conceived solely by Christine McVie using a nine-foot Steinway piano. Side two of Rumours begins with "The Chain", one of the record's most complicated compositions. A Christine McVie demo, "Keep Me There", [19] and a Nicks song were re-cut in the studio and were heavily edited to form parts of the track.

The ninth track on Rumours , "I Don't Want to Know", makes use of a twelve string guitar and harmonising vocals.


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The album ends with "Gold Dust Woman", a song inspired by free jazz , which has music from a harpsichord , a Fender Stratocaster guitar, and a dobro , an acoustic guitar whose sound is produced by one or more metal cones. Rumours has been acclaimed by music critics since its release. Robert Christgau , reviewing in The Village Voice , gave the album an "A" and described it as "more consistent and more eccentric" than its predecessor. He added that it "jumps right out of the speakers at you".

Petersburg Times claimed the songs are "as grandly glossy as anything right now".

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In a retrospective review, AllMusic editor Stephen Thomas Erlewine gave Rumours five stars and noted that, regardless of the voyeuristic element, the record was "an unparalleled blockbuster" because of the music's quality; he concluded, "Each tune, each phrase regains its raw, immediate emotional power—which is why Rumours touched a nerve upon its release, and has since transcended its era to be one of the greatest, most compelling pop albums of all time. Here is a radio-friendly record about anger, recrimination, and loss. Rumours was a huge commercial success and became Fleetwood Mac's second US number one record, following the eponymous release.

By , 13 million copies of Rumours had been sold worldwide. Mick Fleetwood has called Rumours "the most important album we ever made", because its success allowed the group to continue recording for years to come. The record contained each song of the original Rumours covered by a different act influenced by it. Adapted from the album's credits and AllMusic.

Fleetwood Mac Rumours Hybrid Multi-Channel & Stereo Japanese Import SACD

From Wikipedia, the free encyclopedia. This article is about the album by Fleetwood Mac. For the album by Arrogance, see Rumors album. For other uses, see Rumor disambiguation. Fleetwood Mac. Pop rock soft rock.


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  5. The sessions were like a cocktail party every night—people everywhere. We ended up staying in these weird hospital rooms The lyrics of "Don't Stop" are about having an optimistic outlook on life. Inspired by the triple step , the song contains music from both normal and prepared pianos. Buckingham Mick Fleetwood C. McVie J. McVie Buckingham Fleetwood. McVie Buckingham Fleetwood Nicks. Worthington — photography. Library of Congress. Retrieved 21 March Rolling Stone. Archived from the original on 9 May Retrieved 14 April Sound on Sound.

    Fleetwood Mac - Rumours (1977) - Throwback Review

    Retrieved 30 December Warner Bros. Los Angeles Times. Billboard Books. Omnibus Press. Retrieved 28 December Retrieved 19 March Archived from the original on 12 March Musicians in Tune. The Daily Telegraph. Retrieved 25 February The Irish Times. Retrieved 13 July American Songwriter. Retrieved 9 December Archived from the original on 19 October Christgau's Record Guide: Rock Albums of the '70s. Ticknor and Fields. The Independent. Archived from the original on 29 January March Retrieved 14 July In Brackett, Nathan; Hoard, Christian eds.

    April The Village Voice. Archived from the original on 20 June The New York Times. Petersburg Times. The Gazette. Retrieved 24 March Hung Medien. Recording Industry Association of New Zealand. Retrieved 1 July International Business Times. Recording Industry Association of America.


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    5. Archived from the original on 26 June Retrieved 18 May Note: User search required. British Phonographic Industry. Archived from the original on 11 May Retrieved 23 April Records 25 February UK Albums Chart. Retrieved 6 May The Ledger. Retrieved 20 March Weisbard, Eric ed. Harvard University Press. The Guardian. Features insert. Rocky Mountain News. Portland Press Herald. Interviewed by VEVO. December Retrieved 15 December USA Today. A fine offering from one of England's oldest bands, this album mixes a generous blend of pop and rock that appeals to both sexes: Women like it because it is "listenable," men like it because most of the songs are borderline romantic without being mushy.

      Fleetwood Mac – ‘Rumours’ A DVD-Audio review by Stuart M. Robinson

      Nineteen times platinum in the U. Add to Cart. Second Hand News 2. Dreams 3. Never Going Back Again 4. Go Your Own Way 6. Silver Springs 7. The Chain 8. You Make Loving Fun 9. Oh Daddy Gold Dust Woman Customer Reviews 4. I have been listening to this record since The stereo soundstage is distinct and spacious.

      It is worth the purchase just for the stereo layer. This is everything I thought this record should sound like. It sounds great turned up real loud. Stereo warrants 3 stars. The BAD: The 5. Instruments that were never there were mixed in.

      Fleetwood Mac Rumours SACD Hybrid | Steve Hoffman Music Forums

      The vocal mixes are all over the place. Someone really liked Stevie Nicks because her vocals are way up in the mix. Sometimes it even sounds like an alternate vocal take was used. This is the worst 5. Who decides to wreck one of the greatest rock albums of all time? This record did not need "fixing".