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In the New York metro area, it will air Wednesday, March 6 at p. The film has been lovingly restored to preserve this unprecedented, one-of-a-kind event.


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Films in pre-production include a restoration of the Spaghetti Western Blindman starring Ringo Starr and a biopic on the life of Sam Cooke. Led Zeppelin was considered for inclusion but the idea was dropped. The project was originally conceived by Mick Jagger as a way to promote the new record Beggars Banquet beside conventional press and concert appearances.

According to Lindsay-Hogg, the idea of combining rock music and a circus setting came to him when he was trying to come up with ideas; he drew a circle on a piece of paper and free-associated. The Rolling Stones and their guests performed in a replica of a seedy big top on a British sound stage —the Intertel V.

The Rolling Stones Rock and Roll Circus Coming June 7 | ABKCO

Services Studio, Wycombe Road, Wembley [9] —in front of an invited audience. By that time the audience and most of the Rolling Stones were exhausted. It was only due to Jagger's sheer enthusiasm and stamina that they kept going until the end. Regardless, Jagger was reportedly so disappointed with his and the band's performance that he cancelled the airing of the film, and kept it from public view.

Pete Townshend recalled:.

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When they really get moving, there is a kind of white magic that starts to replace the black magic , and everything starts to really fly. That didn't happen on this occasion; there's no question about that. They weren't just usurped by The Who, they were also usurped by Taj Mahal — who was just, as always, extraordinary. They were usurped to some extent by the event itself: the crowd by the time the Stones went on were radically festive.

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This was the last public performance of Brian Jones with the Rolling Stones, [12] and for much of the Stones performance he is inaudible, although his slide guitar on " No Expectations ", maracas on " Sympathy for the Devil ", and rhythm guitar on " Jumpin' Jack Flash " remain clear. Ian Anderson remarked:.

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Brian Jones was well past his sell-by date by then… We spoke to Brian and he didn't really know what was going on. He was rather cut off from the others — there was a lot of embarrassed silence. But a delightful chap, and we felt rather sorry for him… I was approached for an interview by a chap from Record Mirror … I inadvertently remarked that the Stones were a bit under-rehearsed and that Brian couldn't even tune his guitar, which was literally the truth but a bit tactless and inappropriate for me to say.

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This was duly reported, whereupon Mick Jagger was mightily upset. I had to send a grovelling apology to his office.

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The last song, " Salt of the Earth ", was sung live by Keith Richards and Mick Jagger to the pre-recorded tape from the Beggars Banquet studio album on which the song had been released. The project was abandoned until director Michael Lindsay-Hogg attempted to edit the film in but, due to missing principal footage, the project was put on hold. Subsequent to their discovery, Gochanour and Klein completed the unfinished film in fall of A significant segment, featuring the Who, had been shown theatrically in the documentary The Kids Are Alright , the only public viewing of the film until its eventual release.

The Rolling Stones' film was restored, edited, and finally released on CD and video in Included on the recordings are the introductions for each act, including some entertaining banter between Jagger and Lennon.

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This concert is the only footage of Black Sabbath guitarist Tony Iommi performing as a member of Jethro Tull , during his brief two-week tenure as replacement for Mick Abrahams. Coincidentally this is also the first live footage of Jethro Tull ever made; no footage of the original lineup with Abrahams December — December is known to exist. The band mimed to the album version of " A Song for Jeffrey " and "Fat Man," so the guitar heard is actually Abrahams, and not Iommi, who may not have known his part sufficiently after only a few days in the band.

Finally, the footage shows Ian Anderson's first clumsy attempts at his now famous flute-playing position of standing on one leg. In a review, Janet Maslin lauded the "sleek young Stones in all their insolent glory presiding over this uneven but ripely nostalgic show"; although "rumor had it that the Stones She calls the concert-ending sing-along of " Salt of the Earth " smug and condescending, a "song about little people living in the real world".