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Also, the uninstaller will now provide the user with confirmation that shows what has been removed. This release to contain several bug fixes as described in the release notes. This release also fixes a problem with the Mac OS X 5.https://memmanibons.tk
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That package had an incorrect PPC portion of the libgutenprint. This is the first Mac OS X release to contain several new features described in the release notes. The changes between Gutenprint 5. Gimp-Print 5. The changes between 5. Please note that the behavior of the 5. Please note that as of 5.
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The installer will now permit Gimp-Print 4. If you do not wish to retain your existing installation of Gimp-Print 4. Please also note that this release of the installer will update any existing 4.
If you wish to continue using Gimp-Print 4. If you would like to comment on this installer behavior please send a polite note to the Gimp-Print developer mailing list! Finding no existing printer drivers, I adapted Mike's GIMP Print plugin to this six-color printer, and by the end of the year released version 3. The intention was for this to be the stable plugin in version 1. I put the Gimp-Print development tree on SourceForge starting with version 3. One of the main goals, which was not expected to be met until late in the version 3. Much to my surprise, someone wrote one within days!
That gave me my first clue that the project was destined for greater things.
In preparation for that, I spent long hours printing out test images. I went back to the Gimp-Print version 3. Output that had been considered impressive with using six colors was put to shame by four color output. That should give you an idea what modern printing technology can do. It also illustrates what a group of committed people can do.
I came away from the Printing Summit with a lot of new ideas. Other people were busy adding new features and support for more printers, and in November , we released Gimp-Print version 4. The quality was already tremendously improved over what the software could do at the Printing Summit. I knew at the time that Gimp-Print 4. In particular, its color model was very restricted it could only handle RGB and CMYK printers, possibly with light magenta and light yellow inks and the code was still closely tied in with the Print plugin for the GIMP. I wanted to devise a new architecture for the next release that would allow us to take advantage of more printer capabilities and support improved color generation and dithering, but progress was slow.
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It took us a few months to fully stabilize Gimp-Print 4. We decided to do an interim stable release based on improvements to the 4. The interim stable release was to become Gimp-Print 4. We used the numbering scheme adopted by the Linux kernel team, whereby stable releases were denoted by even numbers in the minor release the "2" in 4. We were fortunate that Roger Leigh joined the project shortly after the Gimp-Print 4.
Roger is a superb architect, and he quickly whipped the somewhat disorganized code base into shape. We spent most of cleaning up the code base, adding support for CUPS by now, Mike Sweet had joined the project and the nascent Foomatic metadata management project, improving the color generation and dithering code, and adding support for more printers. A lot of our work went into automatically generating the CUPS PPD files and Foomatic data; the project already supported about printers with a large number of options, and writing all of this by hand would be tedious, error-prone, and unmaintainable.
We spent most of the fall working on documentation, cleaning up bugs, and the like, and released Gimp-Print 4. Anticipating that the next major release of Gimp-Print would be a more extensive project, we decided to branch the 4. This would allow us to fix bugs and add new printers and perhaps minor new capabilities for users wanting a stable Gimp-Print release while making much more radical changes in preparation for the next release. We started work on Gimp-Print 4. The Gimp-Print 4. First of all, it was wonderfully stable from the outset; it was to be over 4 months before we needed to release an update.
This driver architecture allowed drivers to be compiled independently of Ghostscript previously drivers had to be compiled into Ghostscript, a somewhat daunting project for end users. We continued to add more printers, dither algorithms, and so forth, all without breaking compatibility with the initial 4. In particular from our standpoint, many vendors had not updated printer drivers for OS X, and many did not want to update their drivers for older printers.
This was done in 4. This release created a lot of excitement in the OS X world and for us, and we did three more releases in quick succession culminating with Gimp-Print 4. I was expecting that there would be one more release of Gimp-Print 4. By , many of the printers being released had capabilities beyond what Gimp-Print 4. I also expected that we would be ready to release Gimp-Print 4. We released Gimp-Print 4. However, there were still some problems with that release, and we did one more release 4.
This wound up being the final Gimp-Print 4. In the meantime, work on Gimp-Print 4. We wanted to support the newest generation printers with tiny droplets, very high resolutions, and extra colors, in addition to adding color management and the possibility of supporting many more printer capabilities beyond the fixed set offered in Gimp-Print 4. In part due to all of the maintenance work on 4. It was clear that we weren't going to release a next generation of Gimp-Print in or early as we hoped.
However, the success of Gimp-Print 4. We wanted the next generation of Gimp-Print to be more than just another incremental advance. By this time, 4. We decided that the architectural and user experience changes were sufficient to name the next release 5. That was not to be.
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We were doing new releases of 4. Progress was slow; there were still quite a few API changes we felt we needed to make, and there were still serious quality problems with many printers. In addition, new printers were being shipped with additional inks that we couldn't handle very well.
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We also had to adapt to other changes, such as GIMP 2. We released Gimp-Print 5. Based on the popularity of Gimp-Print 4. It was clear that the changes in 5.
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It also became apparent that our ties to the GIMP had all but vanished by this point. We settled on the name Gutenprint, and renamed the project in the fall of We were still in beta; progress was slow at this point, but we weren't satisfied with the results. We finally did our first release candidate in September , over a year after we entered beta. We continued to move toward 5.
There were a number of serious but subtle bugs with the CUPS and Foomatic interfaces that needed to be fixed in order to have a useful 5. This was very productive; I got a lot of useful feedback on various issues and was able to raise issues important to Gutenprint. We released the third release candidate in May , with a tremendous number of bug fixes and improvements, and this finally felt like a real release candidate. We received extensive feedback from this release, and fixed other problems and made some other changes to improve quality. Unfortunately, we didn't accomplish all of our goals for Gutenprint 5.
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